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Poumpak Charuprakorn 1989

Bu Poumpak Charuprakorn yn astudio cyfansoddi ym Mhrifysgol Chulalongkorn, Bangkok a’r Coleg Cerdd Brenhinol yn Llundain. Mae ei gerddoriaeth wedi’i pherfformio yng Ngwlad Thai, y DU a thrwy Ewrop benbaladr ac mae wedi cydweithio ag amrywiaeth eang o gerddorion proffesiynol gan gynnwys y feiolinydd Aisha Orazbayeva, y soprano Sarah Dacey, Pedwarawd Carducci ac Ensemble Riot. Yn ddiweddar bu’n cymryd rhan yn Academi Cyfansoddwyr Ifainc ilSuono ac yn Academi a Gŵyl Berfformio Ryngwladol Valencia.

 

Gyda chefnogaeth Swyddfa Comisiwn Addysg Uwch Gwlad Thai, mae Poumpak bellach yn astudio ar gyfer doethuriaeth mewn cyfansoddi ym Mhrifysgol Caerdydd. Mae ei ymchwil yn edrych ar ddefnyddio datblygiad heb fotiffau a threfn gofod harmonig a dwyster rhythmig mewn cyfansoddi cerddorol.

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ENG

Poumpak Charuprakorn was first introduced to composition by Dr Narongrit Dhamabutra and Dr Weerachat Premananda at Chulalongkorn University (Bangkok, Thailand). He later studied with Dr Harris Kittos and Dr Jonathan Cole and obtained his Master of Music in Composition from the Royal College of Music (London). His compositions have been read and performed in Thailand, Slovakia, Austria, Germany, Italy, Spain, and the United Kingdom which also offered him the opportunities to work with many professional musicians and ensembles, for example Sara Minelli (flute), Mieko Kanno (violin), Aisha Orazbayeva (violin), Sarah Dacey (soprano), Sian Cameron (mezzo-soprano), Gwenllian Llyre (harp), Ensemble Suono Giallo, Trio Anima, Carducci Quartet, and Riot Ensemble.

 

Poumpak recently participated in ilSuono Academy of Young Composers (Citta di Castello, Italy) and Valencia International Performance Academy and Festival in which he received lessons from Simone Movio, Nicolas Tzortzis, Gregorio Jimenez, Jorge Grossman, Lei Liang, and Stefano Gervasoni. Poumpak, supported by the Office of Higher Education Commission of Thailand, is currently pursuing a PhD in Composition at Cardiff University under the supervision of Dr Arlene Sierra. His research explores the use of non-motivic development and the organisation of harmonic space and rhythmic intensity in musical composition.

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