Meinir Siencyn - Getting to know Tapestri’s filmmaker

“As a filmmaker, what I hope to create are short music films that shine a light on contemporary community groups across Wales. Weaving together different sounds, languages and musical traditions each film is a thread in a wider tapestry - celebrating the richness, diversity, and living culture of Wales today. 

The experience has been fun and inspiring, the lens and camera becoming the audience to these rehearsals. The welcome I received and the inclusion in the safe space of these groups was wonderful.” 

Why were you interested in Tapestri?  

I was inspired from the outset – by the opportunity to document contemporary community voices across Wales through music. The idea of weaving together different languages, sounds and life experiences to create a cultural tapestry felt inspiring and important, especially in terms of representing Wales as a diverse and vibrant country. Also the opportunity to watch and enjoy the performances or rehearsals of some of our traditional groups as well. I'm musical and have an interest in Welsh culture, and I’m a creative filmmaker, so the opportunity was very appealing.  

How have you filmed the groups? What has the process been like? 

The process has been a highly collaborative one. I spend time with the groups, chatting over email or phone. Then listen to their stories before watching the rehearsals, and then I begin filming. The camera becomes an extension of me as a person, and everyone forgets that I have a camera. This helps to build trust and to understand the energy and character of each group, so that the filming feels natural and honest.  

How do you decide what's going in the finished film? 

The worst part is having to cut things out!! In editing, I focus on what feels authentic to the group – the moments that capture the essence of their sound, their stories and their presence. Also, I choose the best music track created by the group, so that they are happy too. It means making difficult decisions sometimes, but the priority is always on preserving the integrity of the experience and respecting the people involved in it.  

How long has the project taken? 

The project has developed over a significant period of time, from the initial discussions and planning, through the filming phases, to the editing and presentation of the finished films. We’ve taken time and care with each step. But unlike making a short film for television, we had to film everyone within two weeks and then edit 15 films in just over two weeks.   

What challenges have you and the team faced? 

One of the main challenges was working with different groups in different locations, each with their own schedules and needs. Making sure everyone felt comfortable in front of the camera was also important and required sensitivity and flexibility.  

What have you enjoyed most about the work? 

The most enjoyable thing was meeting new people and stepping into their creative world. Seeing how music brings people together, and gives voice to their experiences, was incredibly valuable. And according to the feedback, it was good to hear that they felt that the camera respected them and raised confidence rather than the other way around. Creating an enjoyable time for everyone is important.  

Describe a perfect day filming. What makes a good day? 

A perfect day starts with everyone feeling relaxed and ready to work together. When the atmosphere is warm, the cameras are able to become part of the space rather than an interference, and the best moments happen naturally.  

How will you be celebrating St David's Day this year? 

I'm part of a traditional folk dancing team, and we perform regularly, so I’m often in traditional Welsh dress (and not just on St David’s Day)!! I'm sure I’ll be celebrating by dancing or holding a twmpath. But it's also just an opportunity to reflect on the creative work that is happening across the country and the communities that sustain it. 

Tapestri

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